Acrylic and plaster on canvas
60 x 60cm (24 x 24in)

Anthony Carey

Moonlight Mischief

The Strangers plays with scale, distance, and the uneasy familiarity of shared space. A lone figure stands beneath a bright full moon, facing a magpie that feels both ordinary and slightly improbable. Framed by leaning buildings and a faint city skyline, the painting holds that strange urban feeling of being surrounded by life and still somehow standing alone within it.

I was interested in the magpie here as a kind of outsider presence. In some cities they feel like strangers themselves, watchful and self-possessed, moving through human spaces without ever quite belonging to them. That tension gave the painting its shape — a meeting, or perhaps just a passing recognition, between two figures occupying the same place but remaining unknowable to one another.

The Strangers

King Of The World (Hey Ma, you'll never guess where I am) is a painting about distance, arrival, and that brief, unforgettable moment when life suddenly opens out. A lone figure stands high above a faint city skyline on a raised block, facing an enormous moon and a small drifting cloud. The composition is simple, but it carries that feeling of being suspended between excitement and vulnerability.

I wanted this painting to hold something personal. It grew from the memory of my son going to New York as a young man to live and work. His first phone call home was from the roof of a skyscraper, shouting down the line, “Hey Ma, you'll never guess where I am.”

King of the world (hey ma youll never guess where I am)

white

yellow

orange

purple

dark blue

green

light blue

brown

black

Acrylic

Aquatint

Canvas

Chalk

Charcoal

Clay

Concrete

Embroidery

Graphite

Gold

Mixed Media

Metal

Oil Paint

Paper

Pastels

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Resin

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Lacquer on Masonite

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Very large

Large

Medium

Small

Very Small

After The Fire

Gathered in Passing

Crimson Canopy

Lost in translation

Relic of The Divided Self

A Part of Ourselves

Steps in Stillness

Nocturnal Assembly

At the Edge of Place brings together a body of paintings shaped by time spent in Canada, especially Alberta. These works are not travel views or descriptive records of place. They grew out of memory, weather, scale, and the emotional residue of lived experience.
Made after a period of grief and change, the paintings reflect moments that stayed with me long after I had left them. Mountains, snow, light, distance, and small human traces became ways of holding onto awe, stillness, and psychological weather. What interested me was not simply what the landscape looked like, but what it felt like to stand within it.
Across the series, landscape becomes a space of threshold

AT THE EDGE OF PLACE

2 white seats & 2 marble tables

Anthony Carey

collection: Under the Magpie Moon

Material

Medium

Type

Sizes

Orientations

Dimensions

Colors

Colors

Moonlight Mischief

The Strangers

King of the world (hey ma youll never guess where I am)